

I won't relate the entirety of the docu-drama but will say that the saga continues to this day. Horton has apparently turned down offers of 2 and 9 million dollars, feeling insulted by them. Last winter, her piece was, for the first time, exhibited at a Toronto gallery which accepted its unusual authenticity:

"* It is too neat and too sweet, using soigné colors that Pollock never used.
* Some lines are perfectly straight. It’s hard to drip straight lines.
* The canvas is commercially sized, which means that paint does not come through the back of the canvas. All real Pollocks are unsized and his paint patterns can easily be seen from the back.
* The thing is painted with acrylics. Pollock never used acrylics."
* Some lines are perfectly straight. It’s hard to drip straight lines.
* The canvas is commercially sized, which means that paint does not come through the back of the canvas. All real Pollocks are unsized and his paint patterns can easily be seen from the back.
* The thing is painted with acrylics. Pollock never used acrylics."
You can read more of his response to the painting being exhibited here. Overall, I have to admit to being less than convinced myself, mostly due to the clear scientific bias that has gone into "proving" the piece is a Pollock. The individuals involved, in particular the forensic expert Paul Biro, seem determined to find evidence that establishes the authenticity of the painting. It certainly seems possible that the painting is a masterly "look-alike," perhaps even generated by this man, Francis Brown:

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